Tom Hardy

Shot as:

Playing on the contrast between his old bad-boy life style and now that of a film star, create a contrast within the picture. Have him shot in the same pose with one hand reaching out but in 2 different scenarios. In the one instance he is dressed in a tux surrounded by flashing lights in a ‘red carpet’ setting and his hand is out stretched to shake hands / sign autographs. In the second picture he is in the same pose but this time dressed ruggedly with a derelict urban background and his hand is this time reaching out to break into a car. Final shot Hardy in a tux with a gorgeous girl on each arm, in his immediate vicinity it’s a vividly colored red carpet setting with flashing lights that gradually fades out into a dreary super imposed urban background. 

Questions:

As the Batman villain there are going to be comparisons between Bane and the late Heath Ledger’s Joker. Has this brought an added dimension of pressure?

Bane has been very successfully shrouded in secrecy, by now are you not itching to just get it out there and see people’s reactions?

Hollywood is a very Ameri-centric community. Is that difficult as a Brit? Is there pride in carrying the British standard - along with all the other British talent – in such a tough environment?

Talk us through your appearance on Johnathan Ross and his release of that fantastic footage of you? How pissed off were you really? Had it not been for the protection of national television would Johnathan have a black eye?

Your new film ‘This Means War’ is a more light-hearted approach than we are accustomed to seeing from you. What was more fun: beating up Chris Pine? Or snogging Reese Witherspoon?